JUST ONE DRUMMER with TWO TOM-TOMS, A COWBELL & A BASS DRUM!!
NO ODD TIME SIGNATURE WITH THIS GROOVE.
Just That Good Ol' 4/4 Anchoring Another One of Our ATL World Dance Beats!!
COPYRIGHT © 1980 - 1981 - 2008
TRANSCRIPT & VIDEO AVAILABLE SOON!!
The Uplet Rudiments ™
by Aneurin Nicostratus III
Copyright © 1980 and 1981
All Rights Reserved Worldwide
The Uplet Rudiments Fest 2008
Some of the Outstanding Themes Realized, Authenticated and Incorporated
At this Summer’s MASTER CLASSES
Traditional Grips and Twin Grips Ratios:
The Formal Grip and The Parallel Grip in Nonassociation
The Official Condensed Consolidation of The Matched Grip and The Traditional Grip
Velocity Gloves Matched Grips
Incorporating - for multiple drums - The Sorcerer Rotation As Certain Trimotor Spins
Tenor Drumming
Octuple Tenor Drumming Is Expanding
With The Itacolumite Diddle Compilation
In Multiples of The Bojer Diddle
With The Scimitar Cadence
Edgy-Rest Octuple Drumming
Demonstrated with Isosceles Crossover Diddles
Traditional Diddle Crossovers
Adapted As Triple & Quadruple Crossovers In Formal Grips
Adapted As Triple & Quadruple Crossovers In Parallel Grips
The PIAFFE Uplet Rudiment
With Varieties of Optimal Andretti Cycle Sets
Plural Laconic Susurrous Dynamics
Developing Modern Resonance In Rumaki Rudiments
The Cenozoic Cadence
In This Summer’s Master Class
Complexualizing The Uplet Diddle-Gator
Development Of Monongahela Climate Rudiments
Rumble Rim Flams
With Dionaea Uplet Rudiments ™
Set Between Four Poly-Sostenuto Roll Modulations
Flam Dichasium Rudiments
Developing More Radicchio Uplets
And The Trogon Robot!
Entorondeau Uplet Patterns Developing
The Experimental Subdivisions of Supporting Flams
In
The Altair Cadence
The Slalom Cadence
Created With Etesian Uplets
&
Algebra-Mirror Diddles
VELDOFUSION DIDDLES
GUARANTEED WITH FEDELINI UPLETS
Swiss Mueller Rudiments As Mobilized Patterns of Multiples
Sirius-Strummed Uplet Rudiments Incorporated As Undiluted Suisse URSIDS
The 5.2 Minute-Miler Strokes
*Motion Statistics of The Flat Flam in Orthodox Rudiments*
Stroke-Pitch Factors Coordinated in The Score Rolls
Geognosy Elements as One "Atmosphere" Of The Long Drag Roll
*Continuing The Motion Communication System with Numbered Motion Grips*
Transfer Arrangements in Multiple Motion Paths for Quadruple Momentum
Flam Transfer Groupings Organized within All Transposed Long Roll
Ground-Level Hand and Arm Reflex Found in ALL Rallentando Rolls
Super-Animation within Firecracker Stroke-Tone-Uplets
Of Course Awesome-Animation with
The Bundle Spins
The Essential "Arena" Range Strokes
Undivided Walking and Running Marching
Divided Walking and Running Marching
*The Double-Single Stroke Roll in More Parallax Rudiments*
The Smooth Fresh FUNK Grip in Object Anchored Fill Strokes
Unorthodox JAZZ Grips and Strokes
Some Super Stare Grips With Brush & Stick.
"The Nashville Grips"
Questions Answered About Some Snare Solos!
Understanding
The Phenomenon of Diesis Diddles and Esperanto Uplets
IN THE SNARE SOLO
RINGMASTER SPIDER
Copyright © 1980
Explaining
Kulebyaka Diddles
And
Flam Scooter Uplets
In The Snare Drum Solo
ART LETTER IN SUPERNATURAL TIMES
Copyright © 1981
How Mirepoix Uplet Formulas Anticipated
The Macadam Rudiments
In The Snare Drum Solo
Deacon Jambalaya
Copyright © 1980
How Radial Performerang Diddle-Arcades Brought
Essential Metric Elevation Within
Amakihi Ambience Uplet Rudiments ™
In The First Part Of
SNARE SOLO
COLOSSAL RHYTHM ICONS
Copyright © 1980
UNDERSTANDING
THE MAXTOGRAPHIC DIDDLE
In The Snare Solo
AUTOMATIC MANIC
Copyright © 1980
Hilton Belvedere ™
performed the Contest Solo
Copyright © 1980
You Had to Be There!!!
Dj Hilton Belvedere On the Drum Set
Previewing The Master Class Kit Section With:
The Rotary STORM BEATS,
The Mesmerizing CHAIN BEATS,
The Confident SLASH BEATS
And The Incredible SLAM BEATS
Uplets on The Drum Set ™
MASTER CLASSES
At The Master Classes
Prize Patterns
Reconstructed in "Loop" Barbut Uplet Rudiments ™
AND
Balanced Again In Promodern
Double-Kick Reorganization
As
Zone-Row Uplet Rudiments ™
On The Energetic Bonzer
Dance Of Eternity
with Its Labyrinth of Time Signatures
Mike Portnoy is in Steady FOCUS— Mega-Terahertz of Portnobility
At The Master Classes:
Uplet Rudiment Nomenclatures Were Selected
That Yields Their Dimensions As A Dance Of Eternity
In Theorization Optimizations of Six Tenerife Uplet Rudiments™ Built in:
Quintuplet,
Sextuplet,
Nonuplet,
Undecuplet,
Duodecuplet,
Quindecuplet Forms
Set in Measures of 6/4, 10/4 and 12/4...
At The Master Classes On Two Screens:
Recoordinated In Equilibriums Of:
THE CAYENNE WHIST UPLET RUDIMENTS ™
More NEW Kit Drumming Technictivity
in Next Month’s Issue!!
Everyone enjoyed the demonstrations of
THE SCHEMA
FROM THE MANUSCRIPT:
World Rudiments and Tempos for Complex Timekeeping
FROM THE CHAPTER:
"Blueprints for Achieving Progressive Accent Inventiveness"
copyright © 1982
*
THE SCHEMA
"ACCENT STRUCTURES IN PERMUTATIONS"
This is where precise graphs are made of the accents’ pattern,
where definitive diagrams of the accents’ construction over the rhythms are created,
then—rhythms & sticking remain the same—moved
-rearranged with permutations -
guiding the player into new energy and focus with accents.
Of course, later, without clear interpretation, called:
THE GRID
THE UPLET RUDIMENTS FEST ‘08 WAS A WINNER !!
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